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WHO WE ARE

David Treatman Creative is an Award-winning production company led by principal David Treatman. With his first Off-Broadway credit at 19 and his first Broadway syndication at 20, David Treatman is widely heralded as one of the most successful independent producers of his generation. A Columbia University “Great Grad," David Treatman has produced over 50 projects in 5 years on new and traditional platforms. With projects spanning the globe, David Treatman Creative is a dynamic international enterprise with the flexibility, human resources, and creativity to charter new entertainment landscapes, while remaining grounded by extensive experience in traditional models.
 
The company is committed to developing and investing in novel entertainment from screen to stage and beyond. With a growing roster of employees and services, David Treatman Creative is prepared to guide any project to its best and most strategic iteration.

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WHAT WE DO

David Treatman Creative holds the rights to more than 30 projects in various stages of development. The team brings their wealth of knowledge working across the entertainment industry to evaluate each project’s needs, and guide pieces toward their most strategic debut. At its core, David Treatman Creative incubates both story and artist through personal & financial investment in its success.

Once presented, David Treatman Creative continues to expand and exploit intellectual property to maximize returns for investors and artists alike. The company provides a portion of its services for hire to help support these independent productions, including music production services, Executive producer services for the stage, and a rapidly growing podcast production arm, which earned the company a Webby Award (Propaganda the Podcast Musical) and a Webby Honor (The World to Come) in its first year.

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MEET THE TEAM

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David Treatman

FOUNDER  |  PRINCIPAL

David founded David Treatman Creative following a disappointing realization that many producers are disconnected from the creative development of new work. Working at other theatrical enterprises, David saw firsthand how disparate the concerns of artists and producers often are in the entertainment industry.

 

Rooted in a belief that fresh storytelling – supported by artistically-minded production – yields the most viable work both commercially and critically, David set about constructing a proprietary workflow that reduced developmental and production costs of new titles, while empowering artists with tools to hone their work. Refining these processes project after project, David has been able to produce albums at 50% of the usual cost, vest in subsidiary rights participation at lower thresholds, and stretch developmental dollars to launch more productions in a shorter period of time.